Day sheets that build themselves
Every show starts with a running order.
The schedule, the crew, the travel and the paperwork in one place, and everyone sees the same version.
Built by people who actually tour
Everything a tour actually runs on, and nothing it doesn't.
Every show starts with a running order.
Crew carry their own start and end dates.
One account, three apps, no re‑typing.
The agency roster puts the whole list on one timeline and flags the days that collide.
Confirmation numbers where you’ll look for them.
Day sheet, travel, guest list and full tour, all as PDF.
Loading docks rarely have bars.
The room you played last year is still in there, with the promoter attached.
Changes push to the whole party, so nobody works off yesterday’s PDF.
Name it, set the dates, add the shows. Each show seeds its own running order, so the day sheet exists before you know the times.
Flights and hotels drop straight onto the itinerary in the right timezone, so a red-eye lands on the day it actually lands on.
They get an email and a joining code. Editors change the plan, viewers follow it, and nobody has to be told twice.
Open it in the morning and the next thing is at the top. Change a time and it's on every phone before you've put yours away.
One run a year, or forty. Pay for the amount of touring you actually do, and nothing you don’t.
Run a real tour without paying.
For artists touring properly.
For teams looking after a roster.
Buy one tour. It runs for 60 days and then it stops. No renewal, no card sitting on file.
You get the whole of Pro for that run: 3 editors, PDF and calendar exports.
For the artist who tours twice a year and doesn’t need another subscription.
One run, start to finish.
White-label exports, single sign-on and deeper permissions, for agencies at full tilt.
Crew never pay. The people you invite to follow a tour are unlimited on every tier, free included. They don’t need an account you get billed for.
Free while it's in beta. Bring a tour you're already planning and see whether it holds up.