Where it’s
up to.

Build a tour, add the shows, and each one seeds its own running order. Load in, soundcheck, doors, set, pack out. The day sheet exists before the times do.

Flights and hotels sit on the itinerary in the right timezone, with airline marks and confirmation numbers attached, so a red-eye lands on the day it lands on.

Invite by email or joining code. Editors change the plan, viewers follow it, and each person carries their own start and end dates on the run.

Six documents: day sheet, tour overview, itinerary schedule, travel, guest list and the full tour book. These go to venues and promoters, so they’re full quality on every tier. The free tier adds a watermark, nothing else.

An artist can be one person or a band with members, plus a touring party. Each artist has its own dashboard, and a tour can be started from it.

Every artist on one timeline, a row each, days across. It flags the collisions: one person booked to two artists at once, two artists in the same market in the same week, a show with no travel or no room, and a passport about to expire.

The apps keep a local copy and reconcile when signal comes back. Loading docks rarely have bars, and that shouldn’t be when the itinerary disappears.

Rooms and the people who run them, saved once and reusable. The venue you played last year is still there, with the promoter attached.